Antique Sea Charts
Cortés Scuttling Ships at Veracruz, Hand-Colored Engraving by Van Beecq, c.1690

Close-ups

Cortés Scuttling Ships at Veracruz, Hand-Colored Engraving by Van Beecq, c.1690, close-up 1Cortés Scuttling Ships at Veracruz, Hand-Colored Engraving by Van Beecq, c.1690, close-up 2Cortés Scuttling Ships at Veracruz, Hand-Colored Engraving by Van Beecq, c.1690, close-up 3Cortés Scuttling Ships at Veracruz, Hand-Colored Engraving by Van Beecq, c.1690, close-up 4Cortés Scuttling Ships at Veracruz, Hand-Colored Engraving by Van Beecq, c.1690, close-up 5

Framed and on the wall

Cortés Scuttling Ships at Veracruz, Hand-Colored Engraving by Van Beecq, c.1690, shown framedCortés Scuttling Ships at Veracruz, Hand-Colored Engraving by Van Beecq, c.1690, shown framed on a wallCortés Scuttling Ships at Veracruz, Hand-Colored Engraving by Van Beecq, c.1690, shown framed in a room

Frame and rooms are illustrations of how the piece could look; it is sold unframed unless the description says otherwise.

Cortés Scuttling Ships at Veracruz, Hand-Colored Engraving by Van Beecq, c.1690

£305

$405 · €360

Original print, not a reproduction.

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Date
1690
Sheet size
8.7 × 11.4 in (22 × 29 cm)
Condition
Good. Impression with fine hand-coloring. Tight borders, but otherwise well-preserved.
Collection
Ships & sea battles
Era
Before 1700, Dutch Golden Age
Stock no.
f_47116032

Hernan Cortes scuttling his ships at Veracruz in 1519, an original hand-colored copperplate engraving published in France around 1690. The lettering at the lower margin credits the design to "I. Van Beecq pinx." (Isaac van Beecq, painter) and the engraving to "M. Fouard sculp." (Michel Fouard).

The view looks across a curved bay on a tropical coast. A large green mountain rises at the left and slopes down to a low shoreline, where tents and ranks of soldiers are drawn up on the grass beside palms and a small settlement. In the water, a Spanish ship lies at anchor in the foreground, small boats carry men back and forth, and several vessels lie heeled over and wrecked, their masts and hulls breaking the surface. Further out, other craft and a rock stand in the water under a wide sky of blue and white clouds. The coloring is applied in green, blue, brown and ochre washes over the engraved lines.

According to the traditional account, Cortes had his fleet destroyed after landing on the Mexican coast so that his men had no choice but to march inland toward the Aztec capital of Tenochtitlan. The episode became a byword for committing to a course with no retreat, and it was illustrated repeatedly in European histories of the conquest of Mexico.