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Rade de Taïti: 1883 Hand-Colored Engraving of Tahiti Harbor, La France Illustree
$90
€80 · £70
Original print, not a reproduction.
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- Date
- 1883
- Sheet size
- 7.3 × 10.8 in (18.5 × 27.5 cm)
- Condition
- Good, given age. Some creasing and general age-related toning and/or occasional minor defects from handling. Remains of tape on the reverse. Please study scan carefully.
- Collection
- Harbours & ports
- Era
- 1850 and after, Steam and steel
- Stock no.
- f_41481742
This hand-colored woodcut engraving, titled "Rade de Taïti" (Tahiti Harbor), is from "La France Illustrée" by V.-A. Malte-Brun, similar to the previous print. It depicts a scene in the harbor of Tahiti, a significant island in French Polynesia.
Visual Description:
- The engraving shows ships anchored in the calm waters of the harbor, with a backdrop of rugged mountains rising from the lush green landscape of Tahiti.
- Sailing ships with masts and rigging are prominently displayed, likely representing trade or naval vessels from the period.
- On the shore, buildings, possibly part of the settlement, are visible, indicating some level of infrastructure.
- The mountainous background with dramatic peaks emphasizes the island’s natural beauty, while the tranquil water scene conveys a peaceful maritime environment.
Artistic Elements:
- The print is colored by hand, with soft, natural hues enhancing the landscape and sea. The use of muted tones in the sky and water contrasts with the more vibrant greenery of the island.
- The engraving technique ensures that details such as the ships' masts, sails, and the mountainous terrain are crisp and clear.
Historical Context:
- Tahiti, part of French Polynesia, was a major center for French colonial activity in the Pacific during the 19th century. By the time this engraving was produced (1880s), Tahiti was under French administration, and the harbor would have been a hub for French naval and commercial activity in the region.
- The image is part of a series focusing on France’s colonies in America and Oceania. The detailed portrayal of Tahiti's harbor would have been intended for French readers interested in their country's overseas territories.
This engraving is another example of how V.-A. Malte-Brun used visual imagery to showcase France’s global presence during the 19th century.
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